If you remember the ending from the anime, there is a text change of the diary from "Yuno died" to "Yuno came to see me" and the sound of something breaking and Yuno calling Yukki which leads to one conclusion that they did meet each other. The final ending of the anime hints that they did meet each other. The OVA does not only contain the story of how Yuno meets Yukiteru but also about the other diary users and the changes in their lives.
As you mention you read the manga, so you know the difference between the ending in the anime and the manga: how Yuno Gasai from third universe meets Yukiteru god of second universe. But the anime OVA contains the final ending and it is taken from Redial where the ending is very descriptive.
#Mirai nikki manga set movie#
Except, I’d like to think that The Graduate is The Graduate while Tadpole is… well, a cute movie about a teenager who learns ultimately that he isn’t as smart as he believes himself to be.The final volume Last Diary contains the ending where they meet each other. In fact, one can easily build a case that it tries too hard to emulate The Graduate but falls short from coming close. Most of the movie feels like a half-hearted build-up to that scene. Also, the movie relies too much on its penultimate dinner scene. There are scenes in this movie that feels random. The movie’s major weakness is its pacing. Oscar is an amusing and symphathetic character all at once, and the nerd in me relates to how he often has no patience for fools. If I want to, I can make a case of statutory rape, but this movie is more about a young man’s trying to fit into the world of the adults he wants so badly to be in, not knowing just how unprepared he is to make that leap. The movie culminates in a dinner scene that is just delicious to watch as every player in this mess sits together and try to hold a conversation together. Trouble comes when he gets drunk after a fight with his father and ends up sleeping with his stepmother’s best friend (she is wearing Eve’s scarf, and Oscar imagines her to be Eve as a result). He is infatuated with his stepmother Eve, played by Sigourney Weaver the way every boy’s Oedipal complex should be – alluring, sexy, but ostensibly maternal and oblivious to Oscar’s less than pure feelings about her. He yearns to be in the company of esteemed academia. He dislikes the antics of kids his own age. Oscar Grubman is a forty-year old man trapped in a boy’s body. He looks too old to play a fifteen-year old, but that’s okay. This movie is made when he slouches and has a bad haircut.
Oh, and you may recognize Aaron Stanford as Pyro from X2.
Gary Winick however uses the script by Heather McGowan and Niels Mueller to create a whimsical, enjoyable movie about a young boy who’s way older than his age instead of turning it into a Larry “I Make Kiddie Porn and Call It Art” Clark piece of crap. It’s been awhile since I’ve been charmed by a comedy, especially when it comes to a comedy where a fifteen-year old boy sleeps with his stepmother’s friend while mistaking her for his stepmother whom he’s madly infatuated with. Main cast: Sigourney Weaver (Eve Grubman), Aaron Stanford (Oscar Grubman), Kate Mara (Miranda Spear), John Ritter (Stanley Grubman), Bebe Neuwirth (Diane Lodder), Peter Appel (Jimmy), Robert Iler (Charlie), Ron Rifkin (Prof Tisch), Alicia Van Couvering (Daphne Tisch), and Paul Butler (Professor Sherman)
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